Title: Madonna and Child with Saints Catherine, Dominic, and a Donor
Date work started: 1515
Date work completed: 1520
Place created: Venice
Patron: Balbi?
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Sequence: Itinerary 1 of 5
Owner Name: Titian
In possession from: 1515 to 1520
Location: Ca' del Duca
Notes:
Wethey, Harold, The Paintings of Titian, v. 1: The Religious Paintings, (London: Phaidon, 1969), p. 106
Citations:
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Sequence: Itinerary 2 of 5
Owner Name: Balbi Family
In possession from: 1520 to Unknown
Location: Palazzo Balbi
Notes:
By 1701 the painting is at Palazzo Balbi, Genoa, according to Ilchman. Villa places it there by 1761. Several other scholars suggest that the picture was there from as early as 1520.
Citations: Wethey, Harold, The Paintings of Titian, v. 1: The Religious Paintings, (London: Phaidon, 1969) page 106. Ilchman, Frederick, Titian, Tintoretto, Veronese: Rivals in Renaissance Venice, (Boston: Museum of Fine Arts, 2009) page 290. Villa, Giovanni Carlo Federico, Titian, (Milan: Silvana Editoriale, 2013) page 60.
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Sequence: Itinerary 3 of 5
Owner Name: Balbi Family
In possession from: Unknown to 1962
Location: Palazzo Balbi
Notes:
Citations: Ilchman, Frederick, Titian, Tintoretto, Veronese: Rivals in Renaissance Venice, (Boston: Museum of Fine Arts, 2009) page 290.
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Sequence: Itinerary 4 of 5
Owner Name: Luigi Magnani
In possession from: 1962 to 1977
Location: Palazzo Magnani
Notes:
Wethey lists Luigi Magnani as the current owner because his catalogue was published in 1969, before the painting moved to its current location.
Citations: Villa, Giovanni Carlo Federico, Titian, (Milan: Silvana Editoriale, 2013) page 60. Wethey, Harold, The Paintings of Titian, v. 1: The Religious Paintings, (London: Phaidon, 1969) page 106.
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Sequence: Itinerary 5 of 5
Owner Name: Fondazione Magnani-Rocca
In possession from: 1977 to Present
Location: Palazzo Magnani
Notes:
Citations: Villa, Giovanni Carlo Federico, Titian, (Milan: Silvana Editoriale, 2013) page 60. Ilchman, Frederick, Titian, Tintoretto, Veronese: Rivals in Renaissance Venice, (Boston: Museum of Fine Arts, 2009) page 290.
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