Mapping Titian

Venus and Cupid with a Lute Player

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Title: Venus and Cupid with a Lute Player

Date work started: 1565

Date work completed: 1570

Place created: Venice

Patron: unknown

Back

Material: oil on canvas

Dimensions: 165.1cm X 209.6cm

Genre: myth

Back
  • Edit

    Sequence: Itinerary 1 of 10

    Owner Name: Titian

    In possession from: 1565 to 1570

    Location: Casa Grande

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    Sequence: Itinerary 2 of 10

    Owner Name: unknown

    In possession from: 1570 to 1624

    Location: unknown

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    Sequence: Itinerary 3 of 10

    Owner Name: Cardinal Carlo Emanuele Pio di Savoia

    In possession from: 1624 to 1641

    Location: Palazzo Pio

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  • Edit

    Sequence: Itinerary 4 of 10

    Owner Name: Cardinal Carlo Pio di Savoia

    In possession from: 1641 to 1689

    Location: Palazzo Pio

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    Sequence: Itinerary 5 of 10

    Owner Name: Prince Giberto Pio di Savoia

    In possession from: 1689 to 1717

    Location: Palazzo Pio

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  • Edit

    Sequence: Itinerary 6 of 10

    Owner Name: Pio di Savoia Family

    In possession from: 1717 to 1742

    Location: Palazzo Falconieri

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  • Edit

    Sequence: Itinerary 7 of 10

    Owner Name: Earl of Leicester

    In possession from: 1742 to 1930

    Location: Holkham Hall

    Notes:

    Citations: Wethey, Harold E. , The Paintings of Titian, v. 3 : The Mythological and Historical Paintings, (London: Phaidon, 1975) p. 195.

  • Edit

    Sequence: Itinerary 8 of 10

    Owner Name: Duveen Brothers

    In possession from: 1930 to 1933

    Location: National Gallery of Canada

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    Sequence: Itinerary 9 of 10

    Owner Name: Metropolitan Museum of Art

    In possession from: 1933 to 1936

    Location: National Gallery of Canada

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  • Edit

    Sequence: Itinerary 10 of 10

    Owner Name: Metropolitan Museum of Art

    In possession from: 1936 to Present

    Location: Metropolitan Museum of Art

    Notes:

    Citations: Wethey, Harold E. , The Paintings of Titian, v. 3 : The Mythological and Historical Paintings, (London: Phaidon, 1975) p. 195.

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